Les nuits de Paris, ou, Le spectateur nocturne. by Restif de La Bretonne, Rétif de La Bretonne, Nicolas Edmé Restif de la Bretonne. Paris: Hachette, Très Bon État. pages. Deux cartes. Les textes de Restif De La Bretonne retenus pour ce volume reproduits d’après les éditions. Nicolas-Edme Rétif or Nicolas-Edme Restif also known as Rétif or Restif de la Bretonne, was a involved, he was apprenticed to a printer at Auxerre, and, having served his time, went to Paris. The French novelist Catherine Rihoit made Restif de la Bretonne a major character in her novel La Nuit de Varenne.

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RÉTIF DE LA BRETONNE – University of Kent

Proto-superhero of Parisian nights–will be excellent when the video game version finally comes out. Cesar rated it really liked it Dec 12, The Intimate Memoirs of Restif de la Bretonne6 vols. De Sade fu guardato breotnne sospetto dal potere postrivoluzionario, pur senza conoscere — se non per qualche giorno — la prigione.

Biopolitics nutis Philosophytrans. Places and Practices of Exclusion New York: Les Nuits De Paris is, as far as I know, a unique book. But exactly what kind of public administration was this state brothel?

Les Nuits de Paris

There are no discussion topics on this book yet. Haiti occupies a crucial position within this colonial narrative.


Semiotext e Bookchaiev rated it it was amazing May 09, Free Shipping All orders of On the other side, the sponge also called la petite seringuela sondenuite tampon was the most used female contraceptive of the time, also developed within the framework of prostitution.

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The term retifism for shoe fetishism was named after him. Any item ka “FREE Shipping” label on the search and the product detail page is eligible and contributes to your free shipping order minimum.

Les Nuits De Paris by Bretonne, Restif De La

Penal justice, medicine, architecture, and urban planning were techniques to treat air and fluids on different scales. Anatole David rated it liked it Feb 18, Jordan West rated it liked it Feb 22, La dr urbana di un precursore del realismo Nella mia recensione a L’Italiano di Ann Radcliffe ho lamentato il carattere d’appendice della storia, il restfi essere talmente inverosimile e manichea da non poter rappresentare sentimenti ed emozioni in grado di appassionare il lettore del XXI secolo.

Developed before the invention of anatomic dissection techniques of displaying interiority that would emerge during the sixteenth and seventeenth centuries, the sovereign body was a flat exteriority, a political surface where power inscribed its law with the aid of several necropolitical techniques.

In the end, in the very last selection in the book, he claims: On one hand, it unveils the fabrication of the modern colonial subject as desiring and sexual revealing hierarchies and segmentations within the political management of organs penis, vagina, uterus and rewtif semen, blood, lla, water.


The city, like the body, was a close space defined by parix circulation of fluids and airs. Le Nuits de Paris sono una di quelle produzioni maggiori, una di quelle vaste composizioni destinate a dipingere i costumi di una nazione: Paeis agencement of the human and the owl produces also a new aesthetic agent: Organically produced with a linen sheath or an animal membrane to be fitted over the foreskin of the penis, and dipped in a solution of salt or herbs, the condom as a genital variation of the plague beak-like mask was a genital mask, a second skin that entered into conflict with the theological definition of sovereignty, blocking the free circulation of sperm and jeopardizing male fertility.

During the twentieth century, Restif was to be rediscovered and reinvented twice, by two oppositional discourses on sexuality: Later he turned into a ,es of the Parisian streets and their public during the Revolution with his book Les Nuits de Paris, ou le Restf nocturne. Flammarion,p. On the frontispice of Les Nuits de Parishe is represented as a man walking at night with an owl on his head.

In France, aroundthe baths were closed and prostitutes relocated outside city limits.