Ut pictura poesis is a Latin phrase literally meaning “as is painting so is poetry”. The statement . Rensselaer, W. Lee (). Ut Pictura Poesis: The humanistic. Title. Ut pictura poesis: the humanistic theory of painting /‚Äč by Rensselaer W. Lee. Author. Lee, Rensselaer Wright, Published. New York ; London: W. W. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only once a year.

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Mitchell, noting among other relations the verbal experience of the icon and the visual experience of the printed word, proposes looser borders between word and imagetheir discourses, and the sister arts that represent them.

As Wai-Lim Yip notes, unlike Western poetry, traditional Chinese poetry functions in a presentational mode: Through positing the comparability of the extrinsic method, content, and effect of media, u. On the other hand, Greenberg views representational Surrealist art is at best a slave to literature, presumably due to its modified realistic technique and overt dependence on psychoanalytic theory. From Wikipedia, the free encyclopedia.

Ut pictura poesis; the humanistic theory of painting

In this highly influential textLessing draws attention to the traditional distinction between literary and visual art: Modern invocations usually aim at dignifying paintingand, most recently, at freeing it from the dominance of literature.

Horace, Horace, then, neither defends nor notably explains the simile, only noting that different poems, like different paintings, come off best under varying conditions and kinds of scrutiny. University of Chicago Press, There is an emphasis on the reader’s eye and the imagery that contributed to audience members being able to so vividly ‘watch’ the plot of this poem unfold.

The reaction against u.

Since the early 20th century the study of the Horatian simile has been revitalized to discuss the theoretical underpinnings both of Chinese-influenced visually oriented poetry and of increasingly verbal visual arts expressions.


Ferguson [7] There is an emphasis on the reader’s eye and the imagery that contributed picyura audience members being able to so vividly ‘watch’ the plot of this poem unfold. He considered both painting and poetry to be equals, and “it can easily be seen that he held that there was a close relationship between the art of poetry and the art of painting, especially perhaps since such a relationship combined the two arts of which he was a practitioner.

ut pictura poesis | The Chicago School of Media Theory

The belle is identified in many ways with the display of vessels and picturz around her, both as a consumer and as a figure who takes llee some of the properties of those riches, yet her attractions are in the end not so much displayed as set in motion; she ‘rises in her charms’, ‘awakens’ and ‘calls forth’ her wonders and graces, culminating in the dispersal of both her body and her allure in the reader’s eye.

Quoting from English translation. Furthermore, a broader pkesis of the Horatian simile bears on the study of media per se [see mediationmediologymediascapemediasphere. In the 18 lines on this theme alone, Horace compares the poet to a musician, a marksman, and a copyist. Equation and comparison of the so-called sister arts of poetry and painting do not begin with Horace. Observers such as W. Perceptions and Judgments Lee, Ut Pictura Poesis: Butcher Mineola, New York: Duke University Press, William Carlos Williams, Pictures from Brueghel and other poems.

This one prefers a darker vantage point, that one wants to be seen in the light since it feels no terror before oictura penetrating judgment of the critic. This pleases only pooesis, that will give pleasure even if we go back to it ten times over. This page was last edited on 25 Novemberat A Companion to Horace. The medium of poetry, then, occupied the privileged position in the relationship between the two art forms.


ut pictura poesis

During this period, the simile was frequently drawn out, regularly equating along Aristotelian lines design with plot, and expression with color. Views Read Edit View history. Date format All lee with unsourced statements Articles with unsourced statements from November Articles with unsourced statements from December Ferguson explains an aspect of how Pope was painting a character and a plot: Here, the eminent German playwright and critic argues against the equation of method and objects of the sister arts.

Moving on from Plato’s time to the Renaissance, the argument sprung up of which form was superior. Many poets of Western modernism, notably Ezra Pound and William Carlos Williams, adapted the Chinese style for use in their own work, frequently diminishing the role of pictuea and syntax in their poetry, as well as taking on a more presentational, visual emphasis.

Though of minor significance within the Ars Poetica itself, u.

One likes the shadow, another will want to be seen In broad daylight, and has not fear of the critic With all his shrewd insight. One gives pleasure But once only; another will always give pleasure, Though people ask for it back ten times over.

Lee ably shows, between the middles of the 16th and 18th centuries, u. Picctura University Press, Horace meant that poetry in its widest sense, “imaginative texts” merited the same careful interpretation that was, in Horace’s day, reserved for painting.

Much like Horace, then, Aristotle here establishes literature as an art form comparable to paintingin this case in its objects, capabilities, and limitations in imitation.