View credits, reviews, tracks and shop for the Vinyl release of Heifetz Playing The Music Of Gershwin on Discogs. ATF – Heifetz Plays Gershwin for Violin and Piano – Volume 2 [Jascha Heifetz] on *FREE* shipping on qualifying offers. Gershwin never got a. Gershwin, George – Selections from Porgy and Bess – Violin and Piano – transcribed by Jascha Heifetz – Hal Leonard Corp. $

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Some of the recordings are a bit on the close side heifdtz comfort, and the level of the piano sound Bay in the recordings made beforeSmith thereafter varies a good deal, one or two of Smith’s being surprisingly loud. Porgy and Bess, Introduction Erich Wolfgang Korngold Composer.

Triakontameron, Alt Wien Old Vienna. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

The Love for Three Oranges, March.


The transfers have been well made, but a rhythmic thud is heard during Rachmaninov’s Vocaliseand there is a curious grating noise at the end of Korngold. Manuel Maria Ponce Composer.

Heifetz Collection – Gershwin & Encores

Wilhelmj’s flowery arrangement of Schubert’s Ave Maria is schmalzed up with big ritardandos all over the place; there is an over-sugary On wings of song with a horrible key-change to the second verse, though I’m not sure that that was Heifetz’s doing ; and heiftz slops over in La plus que lenteespecially in some convulsive rubatos in its central section.

Just occasionally he goes over the top: This disc might well have been designed to illustrate the opening line of Wolf’s Italian Songbook, ”Auch kleine Dinge Porgy and Bess, Summertime. Porgy and Bess, A woman is a sometime thing. Porgy and Bess, It ain’t necessarily so. Porgy and Bess, Bess, you is gerswin woman now.

Heifetz Plays Gershwin

Gramophone products and those of specially selected partners from the world of music. Composition Artist Credits 3 Preludes. Porgy and Bess, My man’s gone now. Skip to main content. The all-time greats Read about the artists who changed the world of classical music.

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. But these are the exceptions: Perhaps less realized by the public at large is his brilliant skill, inventiveness and ingenuity as an arranger—the Drigo ”Valse bluette”, a piece of trifling musical value, is transformed into a dazzling virtuoso showpiece and beyond the violinistic elaborations extensive double-stopping, octave work, harmonics, etc.


Gramophone’s expert reviews easier than ever before. One doesn’t need to dwell on his flawless technique, his command of nuance, his tonal beauty or its variety, from gently tender in ”Bess, you is my woman now” to ferocious in the ”Sabre dance”, his seeming spontaneity in a piece as familiar to him as the Hora staccato which he put on the map: Aram Il’yich Khachaturian Composer.

La Plus que lente.