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Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend. Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.
We think it is a fine piece. On the Site 4barsrest Shop Podcasts 4br Vision. AM Hal Leonard Instrumentation: Trombone II C 2.
The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, and complex rhythmic patterns emerge from what is seemingly musical chaos. The first metamorphosis emanates from a single tone, to which the two successive tones from the theme are added in bell-like makeoer. Bb Extrreme Clarinet 2. Bb Tenor Sax 1. The following movement features a rather unconventional instrumental group: It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner.
Eb Horn II 1.
Bass Bb Trombone T. Bb Trumpet III 2.
It is however a work of real beauty and elegance allied to some amazingly complex technical writing. F Horn III 2. Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger.
As the title suggests extreke work develops in almost chameleon like forms ojhan the kernel of the first four notes of the opening stanza.
2005 European Championships – Extreme Make-Over – Set Test Piece
F Horn I 2. Bb Trombone I T.
Trombone I C 2. There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount.
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It is certainly something different, but something that really does work well. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme. Eb Horn IV 2. F Horn IV 2. The middle section is a tad overlong and can be seen as an attempt to rest the players before the final onslaught.
There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible. It does however go on a bit, and there is the thought that it is used in a way to give the ragged lips of the players a bit of a rest before they are asked for more pain in the final section of the work.
Bb Bass Tuba T. Underscoring this all is an extended Marimba solo which becomes more and more complex as it heads to its conclusion and is joined finally by the xylophone and the remaining brass players.
His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and musicals.
Eb Alto Sax I 2. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come. The build to the final section will tax bands to the full and contains a subtle key change or does it? Eb Horn III 1. Bb Trumpet I 2. The addition of the lower second results in a completely new sound world, completing the first metamorphosis.
In fact this section takes close on three minutes to play, but the effect can be spectacularly beautiful.
European Championships – Extreme Make-Over – Set Test Piece | articles
Again the volume throughout is high, so the key may well be to play it just below maximum as to create the effects that are written clearly into the score. Eb Bass Tuba T. Eb Baritone Sax 2. The percussion section will have its hands full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme.
The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections.